MEDIA PUBLICATIONS

Zimmer, William. “ Going Digital With Prints Both Splashy and Subdued”, New York Times, Sunday, April 29, 2001

Gizycki, Marcin. “Polska Denny’ego Moersa,” Fotografia, Poland Numer 3/2000

Art Now, Focus, “Collector’s Guide to Photography”, December, 1999

The New Yorker, Summer Fiction Issue, ill. p. 120, June 22 and 29, 1998

McQuaid, Cate. “Moers colors prairie with ominous tones,” Boston Globe, Nov.19, 1998

Blindspot No .11,”Silence, Withdrawal and Invention”, Portfolio May 1998

Bundy, Fish. “Landscape and Beyond”, Quix Quarterly, fall 1998

Rodriguez, Bill. “Bold Visions”, Providence Phoenix, May 1, 1998

Grandstreet, vol.15 no.4, “Paranoia”, (with the poetry of Forrest Gander) 1997

Pearl, Lesley. “America’s Landscapes Meet Artistic and Chemical Alteration,” The Detroit Jewish News, May 20, 1994

Klemic, Mary. “He Develops Dreamy Art,” The Eccentric, May 19, 1994

Miro, Marsha. “Photographer Breaks Nature’s Rules,” Detroit Free Press, May 27, 1994

Creeley, Robert. “A Foreword”, Figments of a Landscape, Brown University, 1992

Rodriguez, Bill. “Denny Moers’ Masterful Monoprints at the David Winton Bell Gallery,” (cover article) Providence Phoenix, December 3, 1992

Van Siclen, Bill. “Painting with Light,” Providence Journal, November 29, 1992

Wise, Kelly. “Photography Review,” Boston Globe, November 25, 1992

Wise, Kelly. “The Expressive Power of Photography,” Boston Globe, November 9, 1991

Schaub, Grace. “Denny Moers’ Transformations,” Photo Pro Magazine, Sept-Oct, 1991

Waldrop, Rosmarie. “Landscape Overthrown,” Avec, No. 3, 1990

Middendorf, Fran. “Self-Rendering,” Providence New Paper, May 18, 1989

Waldrop, Rosmarie. Essay for Exhibition, Carlo Lamagna Gallery, New York. November 30, 1989

Van Siclen, Bill. “Showing Off a Quartet of Talented Rhode Island Artists,” Providence Journal, May 21 1989

Pantalone, John. “Poetic Fagments,” Art New England, July-August, 1989

Dunnington, Ann. “Carving Their Niche,” Providence Business News, January 25, 1988

Smith, Chalon. “Camera Focuses on the Mysterious,” Los Angeles Times, February, 1987

Dorsey, John. “Mind’s Eye Architecture,” Baltimore Morning Sun, February, 25, 1987

Goldberg, Vicki. “Photographing the Good Stuff,” American Photographer, January, 1987

Pollack, Steve. “Varied Media Explore Architectural Forms,” Baltimore Evening Sun, March 5, 1987

Weisser, Tom. “Building Blocks,” City Paper, March 25, 1987

Johnson, Deborah. Essay for Exhibition, Carlo Lamagna Gallery, New York. October 2, 1986

Klein, Ellen Lee. “Denny Moers,” Arts, December, 1986

O’Reilly, Suzanne. “Denny Moers,” Village Voice, October 22, 1986

Abatt, Corinne. “Photographer Develops Unusual Color Technique,” Detroit News, September, 1984

Gray, Channing. “Mingled Arts of Painting, Photography,” Providence Sunday Journal, December 9, 1984

Hakanson, Joy. “Chemical Magic Transforms Photos,” Detroit News, September 18, 1984

LeFave, Kenneth. “Two Photo Exhibits: Off-beat and Masterful,” Arizona Daily Star, May 20 1984

Miller, Marlan. “Maximum Skill Exhibited in Minimalist Art,” Detroit News, September 23, 1984

Pantalone, John. “Photo Painting,” Newport: This Week, May 10, 1984

Thorton, Gene. “In the Arts: Critic’s Choices,” New York Times: The Guide May 15, 1983

Morch, Al. “Darkroom Magic Creates Unique Art,” San Francisco Examiner, October 9, 1983

Murry, Joan. “A Poetic Beauty,” Art Week, October 8, 1983

Bloom, John. Review of Exhibition, Grapestake Gallery, METRO, October, 1983

Muchnic, Suzanne. Review of Exhibition, Los Angeles Times, May 21, 1982

Nicholson, Chuck. “Three Innovators,” Art Week, June 4, 1982

Cortright, Barbara. Review of Exhibition, Scottsdale Daily Progress, May 8, 1981

Miro, Marsha. “A Golden Age for Non-Traditional Art,” Detroit Free Press, May 16, 1981

Moore, Joanne. “Siskind/Moers Exhibit,” (cover article), Providence New Paper, April, 1980

Pantalone, John. “The Photograph as Painting,” Providence East Side/West Side, April, 1980

Welcher, Marguerite. Review of Exhibtion: Kathleen Ewing Gallery, New Art Examiner, May, 1981

Yost, Barbara. “A Photographer Inspired by Poetry,” Phoenix Gazette, April 20, 1981

Peters, Marsha. “Abstractions of Interiors and Walls,” Providence Journal, March 30, 1980

Joselet, David. “Moers Photos Bend Reality with Grace,” Boston Ledger, February 16-22, 1979

CATALOGUES / PORTFOLIOS /PUBLICATIONS

Anderson, Christina, The Experimental Photography Workbook, 6th edition, 2013

Licata, Elizabeth: In the Ultra Silent Light, SUNY Buffalo, Anderson Gallery, Buffalo, NY 2003

In th Ultra-Silent Light- exhibtion catalogue, Univ. of Buffalo, Anderson Galleries

In the Ultra-Silent Light
Exhibition Catalogue University of Buffalo, Anderson Gallery, 2003

Moers, Denny: Between Now and Then, Portfolio of Selected Book Cover Art and Broadsides, Providence, RI 2006

Book Covers by Denny Moers from portfolio, 'Between Now & Then'

Between Now & Then
Portfolio of selected book covers by Denny Moers, 2006

Singer Digital Studio: Downed Barn, Iris Print for Robert Klein Gallery exhibit 1999

AS220: Building Box Portfolio; Editioned. Providence, RI 1997

Fundacion Cultural Televisa, A.C: Luz Y Tiempo, Mexico City, Mexico D.F., 1995

Lemagny, Jean-Claude: La Materire, L’Ombre, La Fiction, Photographie Comtemporaine, Bibliotheque Nationale De France, Paris, France, 1994.

Johnson, Diana: Figments of a Landscape, David Winton Bell Gallery, Brown University, Providence, RI, 1992

FIgments of a Landscape- exhibition catalogue, Brown University

Figments of a Landscape
Exhibition Catalogue, Brown University, 1993

Fillin-Yeh, Susan: The Technological Muse, Katonah Museum of Art, Katonah, NY, 1990.

Johnson, Deborah J: The Manipulated Photograph: Works by John Bloom and Denny Moers, Museum of Art, Rhode Island School of Design, Providence, RI, 1987

Versaci, Nancy: New England Now: Contemporary Art From Six States, DeCordova Museum, Lincoln, MA. 1987

Tolnick, Judith: Some Photographic Uses of Color, David Winton Bell Gallery, Brown University, Providence, RI, 1984

Rose, Stephen: Photography: A Personal Collection, Brevard Art Center and Museum, Melbourne, FL, 1983.

Moers, Denny : Photographic Monoprints, Huntington press, Detroit, MI, 1982.

Williams, Jonathan: A Poet Collects, Southeastern Center for Contemporary Art Winston-Salem, NC, 1981

Time-Life Library of Photography: The Print (revised edition), 1981.

 

BOOK COVERS

2008 Rising, Falling, Hovering, C.D. Wright, Lost Roads Press

2007 The Night, Jaime Saenz, Princeton University

2005 Dissonance, Rosmarie Waldrop, University of Alabama

2003 Robert Creeley, If I Were Writing This, New Directions

2002 Denise Levertov, Selected Poems, New Directions

2002 Immanent Visitor: Selected Poems of Jaime Saenz, Univ. of Calif. Press

2002 POEMS: 1972-1982 Denise Levertov, New Directions

2002 Steal Away / selected and new poems, C.D. Wright, Copper Canyon Press

2002 Murry Perahi Plays Schumann, Sony Classical CD

2001 Myzorsky: Pictures at an Exhibition, Sony Classical CD

2001 Run Through Rock; Poems of Bayslr Brigham, Lost Roads Press

2000 Human Nature, Toby Olson, New Directions

1999 Life & Death, Robert Creeley, New Directions

1998 Tremble, C.D. Wright, Ecco Press

1997 Resurrection Update, James Galvin, Copper Canyon

1995 Something Cloudy, Something Clear, Tennesee Willams, New Directions

1994 Deeds of Utmost Kindness, Forrest Gander, Wesleyan Univ.

1994 Requiem: a Hallucination, Antonio Tabucchi, New Directions

1994 ECHOES, Robert Creeley, New Directions

1994 The Final Martyrs, Shusaku Endo, New Directions

1988 The Stillness of the World Before Bach, Lars Gustafsson, New Directions

1988 Cultural Anthropology, Carol Ember, Prentice Hall

1987 POEMS 1968-1972, Denise Levertov, New Directions

1987 Cultural Anthropology, Carol Ember, Prentice Hall

1986 Anthropology, Carol Ember, Prentice Hall

1986 The Bright Nails Scattered on the Ground, Allen Grossman, New Directions

1986 Memory Gardens, Robert Creeley, New Directions

1983 Mirrors, Robert Creeley, New Directions

1981 Windows, Robert Creeley, New Directions

1979 LATER, Robert Creeley, New Directions

1979 Living Space: Poems of the Dutch Fiftiers, New Directions